ÈÍÒÅËÐÎÑ > Vol. 4, No 3. 2013 > Securing the State: National Security and Secret Intelligence

David Omand
Securing the State: National Security and Secret Intelligence


14 îêòÿáðÿ 2013

Consider the artist Michelangelo standing in front of a block of Carrara marble rough-hewn from the quarry. As he later described that moment, “I saw the angel in the marble and carved until I set him free.” Sculptors need the patience to recognize that many small steps will be needed to realize their vision. The sculptor needs a strategic sixth sense that can continuously adapt the design to the conditions of the material while testing whether each small incision, however immediately appealing and easily achieved, will end up weakening the final structure. The sculptor needs the confidence to know that the design can be adjusted in response to the inevitable small slips and misjudgments made along the way. Call it the ability to hold the desired ends in mind while being continuously aware of the ways open for achieving them and the means that are at hand. Even the most technically skilled sculptor equipped with the sharpest chisels needs to have a clear sense of the end state – to see at the outset, “the angel in the marble” – that could be the final result of all the labor to come. That is the strategic cast of mind needed for planning modern counter-terrorism.


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